Friday, July 13, 2007

COMIC "Tintin in the Congo "



Publisher- Le Petit Vingtième

Date- 1931

Series- The Adventures of Tintin (Les aventures de Tintin)

Creative team

Writer(s)- Hergé

Artist(s)- Hergé

Original publication
Published in- Le Petit Vingtième

Date(s) of publication- June 5, 1930 - June 11, 1931

Language- French
ISBN- ISBN 2-203-00101-1

Translation
Publisher- Sundancer
Date- 1991
ISBN- ISBN 1-4052-2098-8

Translator(s) Leslie Lonsdale-Cooper and Michael Turner
Chronology
Preceded by- Tintin in the Land of the Soviets, 1930

Followed by- Tintin in America, 1932


Tintin in the Congo (Tintin au Congo in the French edition) is the second of The Adventures of Tintin, a series of classic comic-strip albums, written and illustrated by Belgian writer and illustrator Hergé, featuring young reporter Tintin as a hero.
It appeared between June of 1930 and June of 1931 in Le Petit Vingtième (the children's supplement to the Belgian newspaper Le Vingtième Siècle). The story was published as an album in 1931, in black and white form. It was re-drawn in 1946, with additional changes in 1975. Because of its controversial nature, this album is excluded from many reprints of the The Adventures of Tintin series. Storyline
Tintin in the Congo begins with Tintin and Snowy departing from Antwerp on a ship bound for the Belgian Congo. Snowy has several accidents on board the ship, including an encounter with a stowaway, but eventually they arrive safe and well in the Congo. Here, they rent a car and hire a boy called Coco. They set out into the Congo where Tintin goes out to hunt. Several scenes follow, depicting Tintin being cruel towards animals.
Upon returning to Coco, Tintin finds that his car has been stolen by a Caucasian whom Snowy recognises as the stowaway. They recover the car but the man escapes.
Later on, Tintin, Snowy and Coco find their way to a native village. However, the man who stole the car joins forces with the village medicine man, and tries several times, all unsuccessful, to dispose of Tintin. In his last attempt, the crook tries to hang Tintin above a river full of crocodiles so that they can eat him, but Tintin is rescued by a Belgian missionary.
Tintin and Snowy are taken to a missionary station where the ever-persistent crook once again tries to get at Tintin. Tintin resolves to end this and in the final struggle it is the crook that is eaten by crocodiles, though Tintin did not intend it.
Tintin finds a letter telling the crook to get rid of him. The letter is signed A.C., which stands for Al Capone, who is operating a diamond smuggling ring in the Congo. Tintin reveals the operation, and the gang is captured.
Finally Tintin can get back to enjoying the African wildlife. However, he and Snowy end up getting chased by a horde of buffalo. Before they are trampled, a plane swoops down and saves them. They are to be taken home in order to prepare for their next adventure, Tintin in America.
Colonialism and racism
Tintin in the Congo is the most controversial of the Tintin albums. It has often been criticized as having racist and colonialist views, as well as several scenes of violence against animals. Hergé has later claimed that he was only portraying the naïve views of the time. When the album was redrawn in 1946, Hergé removed several references to the fact that the Congo was at that time a Belgian colony. This failed to mollify critics, however. Because of its controversial subject matter, the album was previously only published as a facsimile black and white edition in English. However, a colour English edition has finally been published in September 2005, by Egmont Ltd with a foreword explaining the historical context (a similar move had been employed for the 1983 translation of The Blue Lotus).
When the album was to be published in Scandinavia, the publishers objected to the infamous scene on pg. 56 of the colour album, where Tintin blows up a rhinoceros with a stick of dynamite. They asked the page to be redrawn, and Hergé complied. Instead of blowing the animal to pieces, the rhino accidentally fires Tintin's gun, gets scared and runs away. This page was also used in the English translation; it is only present in these two editions.
In mid-July 2007, the UK's equal rights body, the Commission for Racial Equality called on highstreet shops to pull the book from the shelves after a complaint by David Enright, a human rights lawyer who came across the book in the children's section of highstreet chain Borders whilst shopping with his African wife and two sons. The store later moved the book from the children's section to the area reserved for adult graphic novels. In a statement, a spokesperson for the Commission commented that "the only place that it might be acceptable for this to be displayed would be in a museum, with a big sign saying 'old fashioned, racist claptrap'". Borders said that they were committed to let their "customers make the choice". Retailer W H Smith said the book is sold on its website but with a label which recommends it for readers aged 16 and over.[1][2][3][4][5].
Trivia
This article contains a trivia section.
The article could be improved by integrating relevant items into the main text and removing inappropriate items.
Contrary to popular belief, this is not the first album in which the Thompsons appear. Their first appearance was in Cigars of the Pharaoh. They were added to Tintin in the Congo when it was redrawn in 1946.
Tintin is mouthless in the original black and white edition from 1930.
As with the previous adventure, Tintin in the Land of the Soviets, Le Petit Vingtième staged a triumphant return of "Tintin" and "Snowy" to Brussels on Thursday 9 July 1931. They were accompanied by ten Congolese and met by Hergé himself and Quick and Flupke. The event was reported in the newspaper.
In the Portuguese magazine O Papagaio the story was called Tim-Tim em Angola (Tintin in Angola). In that version he works for O Papagaio.
When Egmont took over publishing of the Tintin books in the UK, they did not include Tintin in the Congo in their reprints, although they did include Tintin in the Land of the Soviets and it was excluded until 2006, when a "collector's edition" in colour, including a brief foreword by translators Leslie Lonsdale-Cooper and Michael Turner, was printed.
In the original version, Tintin hunts the rogue elephant at night; but in the coloured version, it appears that it is daylight all the time, making Tintin's joke about the sun giving him a bright idea - after the rogue elephant has chased him and Snowy up a tree.
In the French edition of comics series Asterix, one of the four fortified Roman camps surrounding Asterix's village is called 'Babaorum.' In 'Tintin in the Congo', Tintin becomes a sourcerer for the Babaoru'm Kingdom. Apparently, the name comes from 'Baba au rhum,' which is a type of French pastry.

Sunday, July 8, 2007


Himesh Reshammiya (born July 23[1]) is an Indian Bollywood film music composer, singer and actor.
Early days
Himesh is the son of Gujarati music director Vipin Reshammiya. When he was 11 years old, he lost his elder brother.[2]. He did his schooling at Hill Grange School in Peddar Road area, Mumbai. Himesh started his career with a production house which aired quite a few TV soaps on Doordarshan Ahmedabad and Zee TV.
Music direction
Early in his career, he received critical acclaim for his musical scores, although the films associated with them were not hits at the box office. His first film as music director was Bandhan (1998), in which he collaborated with Anand Raj Anand to produce the musical score. Although it was not the first film in which he contributed music, it was the first one on which he was listed as a contributing music director.
Himesh Reshammiya was first noticed in Bollywood for his work in the film Pyaar Kiya To Darna Kya (1998). He became good friends with Salman Khan, the star of the movie and composed music for several Salman starrers between 1998 and 2006, including Hello Brother, Dulhan Hum Le Jayenge, Kahin Pyaar Na Ho Jaaye, Dil Ne Jise Apna Kaha and Kyon Ki. The most successful albums of the Salman-Himesh association were Maine Pyaar Kyun Kiya and Tere Naam.
Reshammiya has developed his own unique style of composition, based on pop and techno beats, with a lot of English words thrown in. His most popular albums so far have been Tere Naam and Aashiq Banaya Aapne. Following Aashiq Banaya Aapne, he scored music for a bunch of Emraan Hashmi films like Aksar, Dil Diya Hai and the most recent Good Boy, Bad Boy. Jhalak Dikhlaja and Soniye from Aksar have been two of his biggest hits.
Himesh Reshammiya is considered one of the major music directors in Bollywood. His peppy tunes cater mostly to the youth and the multiplex crowd, but he has also shown versatility, focusing on a more classical style for films such as Banaras: A Mystic Love Story and semi-classical tunes in Tere Naam. 2006 was his most prolific year, with back-to-back releases topping the music charts. His music was aggressively marketed and almost all the tracks from his private album, Aap Ka Surroor, were made into music videos.
In 2007, Reshammiya shifted his focus to his acting career. He also delivered some hits as a music director in early 2007, with Afreen from Red and the title track of Shakalaka Boom Boom.
Singer
Primarily a music director, Himesh later became popular for his vocals which have the distinctive high-pitched nasal twang. Reshammiya, like many of his contemporary music composers, sings several of the songs that he composes. However, he has had unprecedented success in this regard. He won a Filmfare Award in 2005 for Best Male Playback Singer (for the title song of Aashiq Banaya Aapne), becoming the first music composer to achieve this feat. Reshammiya has also released a solo music album entitled Aap Ka Suroor which became extremely popular. He has made it clear, however, that he still plans to put most of his effort in Hindi films.
Recently, music composers have released music videos for songs for films that have not been screened. Reshammiya has continued this trend with Zara Jhoom Jhoom from the film Tom, Dick, and Harry and Jhalak Dikhlaja from Aksar . A music video for an alternative title song for the film Humko Deewana Kar Gaye is also being screened on various music channels these days. Reshammiya and Tulsi Kumar are the singers, and the video is filmed on the movie's actors Katrina Kaif and Akshay Kumar.
He says that he is inspired by another popular Indian singer Altaf Raja. In October 2006, Reshammiya became the first Indian to perform at the Wembley Stadium in London[3].
Acting
Himesh Reshammiya scored the music and made his acting debut in Aap Ka Suroor - The Real Love Story, which released on 29th June 2007 & opened to bumper response at the indian box office.
Fashion style
Reshammiya wears a cap and is usually seen wearing a pair of jeans with a conspicuous belt buckle along with his trademark stubble. The way he holds the mic with the bottom facing upwards, and the black trench coat that he wears in concerts are also consistent elements of his style. He has grown a beard as opposed to his previous look when he was clean shaven. He also has one earring in his left ear. His friend Prashant Chadha is reputedly responsible for Himesh’s new look. Prashant has also directed all of Himesh’s music videos from his private album "Aap Ka Suroor" as well as promotional videos for the movies "Aashiq Banaya Aapne", "Aksar", "Tom, Dick & Harry" and "Humko Deewana Kar Gaye".
Criticism and controversies
In spite of his popularity, Himesh Reshammiya has been the target of criticism. In the past, his critics have suggested that success has gone to his head, and that he has signed on films indiscriminately[4]. His nasal twang has been criticized by many. Reshammiya used to defend himself saying that his voice is not nasal, but high-pitched singing". However, in an interview with The Times of India, he said "I accept I'm a nasal singer."[5] In another interview with The Times of India, Himesh stated that only one per cent people criticize him, and the remaining 99 per cent love his work[2].
In his debut film as an actor, Aap Ka Suroor - The Real Love Story, Reshammiya added a song Tanhaiyaan from Boney Kapoor's proposed film Milenge Milenge[6]. Reshammiya had composed the song for Kapoor's film but later decided to use it for his own movie. Tips, which held the audio rights of Milenge Milenge, accused Reshammiya of copyright violation, as audio rights for Aap Ka Suroor - The Real Love Story were acquired by T-Series[7]. However, Reshammiya claimed that he had made Kapoor listen to the song, but it wasn't included in Milenge Milenge. He said that he was trying to get in touch with Kapoor "since the past seven months", and since there was no progress on the film, he decided to use the song for his own movie[8]. In June 2007, Boney Kapoor and Himesh Reshammiya made up, after Reshammiya apologized the former.[9]
In November 2006, Himesh remarked that Mukesh, Nusrat Fateh Ali Khan, and R D Burman used to sing nasally. He also claimed that he had thirty-six hits in a year, and none of the above mentioned artists "ever gave the same number of hits in a year"[4]. He said this in response to allegations that all his songs are nasal-based. The remark invited the wrath of late R D Burman's wife, Asha Bhosle, who stated "If anyone says Burman saab sang through his nose he should be slapped". Later, Himesh clarified that his intention was not to insult R D Burman and apologized several times to Asha Bhosle.[10].
In November 2006, Reshammiya and his co-artists were questioned by the Income Tax department about their income from a concert in Surat. The organizer of the show, Nanu Ghaswalla, claimed that the IT officials were upset because they had been denied free passes for the show[11].
On June 27, 2007, Himesh Reshammiya visited the shrine of Sufi saint Moinuddin Chishti, disguised in a burqa, reportedly to avoid crowd of fans. Some people objected to this, and some even felt that it was a publicity stint for his forthcoming film.[12] Later, Reshammiya issued an apology for "offending religious sentiments", which was accepted by the Anjuman Committee that runs the shrine.[13] The Khadims (servers) of the Anjuman Committee said that he had not committed any offence, and there was no need for an apology.[14]
Himesh Reshammiya School Of Music
Reshammiya is planning a "Himesh Reshammiya School Of Music", which will have ten divisions including Rock, Sufi-Rock, Indian classical vocal, instrumental, pop etc. Each division will have three kinds of curricula (professional, amateur, and hobbyists). Reshammiya is planning eight schools, each on a 25,000 sq. ft. premises in the four Indian metros[15].
Awards
Star Screen Awards (2007) Nomination for "Best Music Director" for Aksar
Filmfare awards (2005):
Nomination for "Best Music Director" for Aashiq Banaya Aapne
"Best Playback Singer (Male)" for Aashiq Banaya Aapne
Zee Cine Awards (2006):
"Best Playback Singer (Male)" for Aashiq Banaya Aapne
Nomination for "Best Music Director" for Aashiq Banaya Aapne and Maine Pyaar Kyun Kiya
IIFA Awards Dubai (2006):
"Best Playback Singer (Male)" for Aashiq Banaya Aapne
Zee Cine Awards (2004):
"Best Music Director" for Tere Naam
Filmography
As An Actor
Aap Ka Suroor - The Real Love Story (June 29, 2007) ...... HR
In Productions
Halla Bol (2007)
Nanhe Jaisalmer (2007)
Victoria No. 203 (2007)
Hostel (2007)
Benaam (2007)
Alibag (2007)
Dasavatharam (2007)
Aankh Micholi (2007)
Marna hai toh agey aao (2007)
Music Director
Mr. Fraud (November 9, 2007)
Love Story 2050 (November 2007)
Darling (July 20, 2007)
Agar (July 6, 2007)
Welcome (July 2007)
Apne (June 29, 2007)
Aap Ka Suroor - The Real Love Story (June 29, 2007)
Fool and Final (June 1, 2007)
Good Boy Bad Boy (May 11, 2007)
Shakalaka Boom Boom (April 6, 2007)
Red (film) (March 9, 2007)
Namastey London (March 9, 2007)
Rocky - The Rebel (2006)
Dil Diya Hai (2006)
Aap Ki Khatir (2006)
Ahista Ahista (2006)
Anthony Kaun Hai? (2006)
Phir Hera Pheri (2006)
Chup Chup Ke (2006)
Tom Dick And Harry (2006)
36 China Town (2006)
Hum Ko Deewana Kar Gaye (2006)
Banaras - A Mystic Love Story (2006)
Shaadi Se Pehle (2006)
Aksar (2006)
Anjaane - The Unknown (2005)
Vaah! Life Ho Toh Aisi (2005)
Kyon Ki (2005)
Koi Aap Sa (2005)
Aashiq Banaya Aapne (2005)
Iqbal - By Chance (2005)
Maine Pyaar Kyun Kiya (2005)
Silsiilay (2005)
Yakeen (2005)
Main Aisa Hi Hoon (2005)
Kuch Meetha Ho Jaaye (2005)
Blackmail (2005)
Insan (2005)
Vaada (January 7, 2005)
Dil Maange More (2004)
Aabra Ka Daabra (2004)
Aitraaz (2004)
Shukriya (2004)
Dil Ne Jise Apna Kahaa] (2004)
Taarzan: The Wonder Car (2004)
Julie (2004)
Run (2004)
Bardaasht (2004)
Tum? (2004)
Ishq Hai Tumse (2004)
Milenge Milenge (2004)
Zameen (2003)
Tere Naam (2003)
Chura Liyaa Hai Tumne (2003)
Chalo Ishq Ladaaye (2002)
Yeh Hai Jalwa (2002)
Humraaz (2002)
Kyaa Dil Ne Kahaa (2002)
Aamdani Athanni Kharcha Rupaiya (2001)
Uljhan (2001)
Jodi No.1 (2001)
Kahin Pyaar Na Ho Jaaye (2000)
Kurukshetra (2000)
Dulhan Hum Le Jayenge (2000)
Hello Brother (1999)
Bandhan (1998)
Pyar Kiya To Darna Kya (1998)
Playback Singer
Aap Ka Suroor - Real Love Story(July 29, 2007)
Fool and Final(June 1, 2007)
Good Boy Bad Boy(May 11, 2007)
Shakalaka Boom Boom(April 6, 2007)
Namastey London(March 9, 2007
Red: The Dark Side[March 9, 2007)
Rocky - The Rebel(2006)
Dil Diya Hai(2006)
Aap Ki Khatir(2006)
Ahista Ahista(2006)
Anthony Kaun Hai?(2006)
Chup Chup Ke(2006)
Phir Hera Pheri(2006)
Tom Dick And Harry(2006)
36 China Town(2006)
Hum Ko Deewana Kar Gaye(2006)
Banaras - A Mystic Love Story(2006)
Aksar(2006)
Aashiq Banaya Aapne(2005)

Wednesday, June 13, 2007

Julius Caesar (play)


Julius Caesar (play)
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The Tragedy of Julius Cæsar, more commonly known simply as Julius Caesar, is a tragedy by William Shakespeare probably written in 1599. It portrays the conspiracy against the Roman dictator, Julius Cæsar, his assassination and its aftermath. It is the first of his Roman plays, based on true events from Roman history.
Although the title of the play is "Julius Caesar", he is not the central character in the action of the play, appearing in only three scenes and dying at the beginning of the third Act. The central protagonist of the play is Marcus Brutus and the central psychological drama is his struggle between the conflicting demands of honour, patriotism, and friendship.
The play reflected the general anxiety of England due to worries over succession of leadership. At the time of its creation and first performance, Queen Elizabeth, a strong ruler, was elderly and had refused to name a successor, leading to worrie Date and text
Allusions in three contemporaneous works support a date of 1599 for Julius Caesar.[1]
1. Ben Jonson's play Every Man Out of His Humour (acted 1599, published 1600) paraphrases Shakespeare's line "O judgment, thou art fled to brutish beasts" (Julius Caesar, III,ii,114) as "reason long since is fled to animals" in III,i. Jonson's play also includes "Et tu, Brute" in V,iv.
2. The anonymous play The Wisdom of Dr. Dodipoll (published in 1600) gives its own paraphrase, "Then reason's fled to animals, I see."
3. A passage in John Weever's Mirror of Martyrs, published in 1601, makes clear reference to the speeches of Brutus and Mark Antony in Julius Caesar. John Weever stated that he'd written his poem two years earlier, which (presumably) fixes the date as 1599.
Julius Caesar was first published in the First Folio in 1623, that text being the sole authority for the play. The Folio text is notable for its quality and consistency; scholars judge it to have been set into type from a theatrical promptbook. The play's source was Sir Thomas North's translation of Plutarch's Life of Brutus and Life of Caesar. [2]
Deviations From Plutarch
• Shakespeare makes Caesar's triumph take place on the day of lupercalia instead of six months earlier
• For greater dramatic effect he has made the Capitol the venue of Caesar's death and not Curia Pomperiana (Pompey's House).
• Caesar's murder, the funeral, Antony's oration, the reading of the will and Octavius' arrival all take place on the same day in the play. However, historically, the assassination took place on March 15 (The ides of March), the will was published three days later on March 18, the funeral took place on March 20 and Octavius arrived only in May.
• Shakespeare makes the Triumvirs meet in Rome instead of near Bolonia, so as to avoid a third locale.
• He has combined the two Battles of Phillipi although there was a twenty day interval between them.
• Shakespeare gives Caesar's last words as "Et tu, Brute? Then fall, Caesar!" ("And you, Brutus? Then fall, Caesar."). Plutarch says he said nothing, pulling his toga over his head when he saw Brutus among the conspirators.[3]. However, Suetonius reports his last words, spoken in Greek, as "καί σύ τέκνον" (transliterated as "Kai su, teknon?"; "You too, child?" in English).[4]
Shakespeare deviated from these historical facts in order to curtail time and compress the facts so that the play could be staged without any kind of difficulty. The tragic force is condensed into a few scenes for the heightened effect.
Performance history
The play was performed in the Globe Theatre.
Thomas Patter, a Swiss traveller, saw a tragedy about Julius Caesar at a Bankside theatre on September 21, 1599. This was most likely Shakespeare's play. There is no immediately obvious alternative candidate. (While the story of Julius Caesar was dramatized repeatedly in the Elizabethan/Jacobean period, none of the other plays known is as good a match with Patter's description as Shakespeare's play.)[5]
After the theatres re-opened at the start of the Restoration era, the play was revived by Thomas Killigrew's King's Company in 1672. Charles Hart initially played Brutus, as did Thomas Betterton in later productions. Julius Caesar was one of the very few Shakespearean plays that was not adapted during the Restoration period or the eighteenth century.[6]
Characters
• Julius Caesar
• Octavius Caesar, Marcus Antonius, M. Aemilius Lepidus: Triumvirs after the death of Julius Caesar
• Cicero, Publius, Popilius Lena: Senators
• Marcus Brutus, Cassius, Casca, Trebonius, Ligarius, Decius Brutus, Metellus Cimber, Cinna: Conspirators against Julius Caesar
• Flavius and Marullus: Tribunes
• Artemidorus: a Sophist of Cnidos
• A Soothsayer (Also called Fortuneteller)
• Cinna: a poet
• Another poet
• Lucilius, Titinius, Messala, Young Cato, Volumnius: Friends to Brutus and Cassius
• Varro, Clitus, Claudius, Strato, Lucius, Dardanius: Servants to Brutus
• Pindarus: Servant to Cassius
• Calpurnia: wife to Caesar
• Portia: wife to Brutus
Synopsis
Marcus Brutus is Caesar's close friend; his ancestors were famed for driving the tyrannical King Tarquin from Rome (described in Shakespeare's earlier The Rape of Lucrece). Brutus allows himself to be cajoled into joining a group of conspiring senators because of a growing suspicion—implanted by Gaius Cassius—that Caesar intends to turn republican Rome into a monarchy under his own rule. Traditional readings of the play maintain that Cassius and the other conspirators are motivated largely by envy and ambition, whereas Brutus is motivated by the demands of honour and patriotism; other commentators, such as Isaac Asimov, suggest that the text shows Brutus is no less moved by envy and flattery.[7] One of the central strengths of the play is that it resists categorising its characters as either simple heroes or villains.
The early scenes deal mainly with Brutus' arguments with Cassius and his struggle with his own conscience. The growing tide of public support soon turns Brutus against Caesar (This public support was actually faked. Cassius wrote letters to Brutus in different handwritings over the next month in order to get Brutus to join the conspiracy). A soothsayer warns Caesar to "beware the Ides of March," which he ignores, culminating in his assassination at the Capitol by the conspirators that day.
Caesar's assassination is perhaps the most famous part of the play, about halfway through. After ignoring the soothsayer as well as his wife's own premonitions, Caesar comes to the Senate. The conspirators create a superficial motive for the assassination by means of a petition brought by Metellus Cimber, pleading on behalf of his banished brother. As Caesar, predictably, rejects the petition, Casca grazes Caesar in the back of his neck, and the others follow in stabbing him; Brutus is last. At this point, Caesar utters the famous line "Et tu, Brute?" ("And you, Brutus?", i.e. "You too, Brutus?"). Shakespeare has him add, "Then fall, Caesar," suggesting that Caesar did not want to survive such treachery. The conspirators make clear that they did this act for Rome, not for their own purposes and do not attempt to flee the scene but act victorious.
After Caesar's death, however, Mark Antony, with a subtle and eloquent speech over Caesar's corpse—the much-quoted Friends, Romans, countrymen, lend me your ears...—deftly turns public opinion against the assassins by manipulating the emotions of the common people, in contrast to the rational tone of Brutus's speech. Antony rouses the mob to drive the conspirators from Rome. Amid the violence, the innocent poet, Sinna, is confused with the conspirator Cinna and is murdered by the mob.
The beginning of Act Four is marked by the quarrel scene, where Brutus attacks Cassius for soiling the noble act of regicide by accepting bribes ("Did not great Julius bleed for justice' sake? / What villain touch'd his body, that did stab, / And not for justice?", IV.iii,19-21). The two are reconciled, but as they prepare for war with Mark Antony and Caesar's adopted son, Octavian (Shakespeare's spelling: Octavius), Caesar's ghost appears to Brutus with a warning of defeat ("thou shalt see me at Philippi", IV.iii,283). Events go badly for the conspirators during the battle; both Brutus and Cassius choose to commit suicide rather than to be captured. The play ends with a tribute to Brutus by Antony, who has remained "the noblest Roman of them all" (V.v,68) and hints at the friction between Mark Antony and Octavius which will characterise another of Shakespeare's Roman plays, Antony and Cleopatra.
Notable performances
Screen Performances
See also Shakespeare on screen (Julius Caesar)
• Julius Caesar (1950), starring Charlton Heston as Antony and Harold Tasker as Caesar.
• Julius Caesar (1953), starring Marlon Brando as Antony and Louis Calhern as Caesar.
• Julius Caesar (1970), starring Charlton Heston as Antony and John Gielgud as Caesar.
Stage performances


John Wilkes Booth, Edwin Booth and Junius Brutus Booth, Jr. in Shakespeare’s Julius Caesar in 1864.
• 1864: Junius, Jr., Edwin and John Wilkes Booth made their only appearance onstage together in a benefit performance of Julius Caesar on November 25, 1864. Junius, Jr. played Cassius, Edwin played Brutus and John Wilkes played Marc Antony.
• 1926: By far the most elaborate performance of the play was staged as a benefit for the Actors' Fund of America at the Hollywood Bowl. Caesar arrived for the Lupercal in a chariot drawn by four white horses. The stage was the size of a city block and dominated by a central tower eighty feet in height. The event was mainly aimed at creating work for unemployed actors. Three hundred gladiators appeared in an arena scene not featured in Shakespeare's play; a similar number of girls danced as Caesar's captives; a total of three thousand soldiers took part in the battle sequences.
• 1937: Orson Welles' famous production at the Mercury Theatre drew fervoured comment as the director dressed his protagonists in uniforms reminiscent of those common at the time in Fascist Italy and Nazi Germany, as well as drawing a specific analogy between Caesar and Mussolini. Opinions vary on the artistic value of the resulting production: some see Welles' mercilessly pared-down script (the running time was around 90 minutes without an interval, several characters were eliminated, dialogue was moved around and borrowed from other plays, and the final two acts were reduced to a single scene) as a radical and innovative way of cutting away the unnecessary elements of Shakespeare's tale; others thought Welles' version was a mangled and lobotomised version of Shakespeare's tragedy which lacked the psychological depth of the original. Most agreed that the production owed more to Welles than it did to Shakespeare. However, Welles's innovations have been echoed in many subsequent modern productions, which have seen parallels between Caesar's fall and the downfalls of various governments in the twentieth century. The production was most noted for its portrayal of the slaughter of Cinna (Norman Lloyd). It is the longest-running Broadway production at 157 performances.
• 1950: John Gielgud played Cassius at the Shakespeare Memorial Theatre under the direction of Michael Langham and Anthony Quayle. The production was considered one of the highlights of a remarkable Stratford season, and led to Gielgud (who had done little film work to that time) playing Cassius in Joseph L. Mankiewicz' 1953 film version.
• 1977: John Gielgud made his final appearance in a Shakespearean role on stage as Julius Caesar in John Schlesinger's production at the Royal National Theatre.
• 2005: Denzel Washington played Brutus in the first Broadway production of the play in over fifty years. The production received universally terrible reviews, but was a sell-out because of Washington's popularity at the box office.
Adaptations and cultural references
The Canadian comedy duo Wayne and Shuster parodied Julius Caesar in their 1958 sketch Rinse the Blood off My Toga. Flavius Maximus, Private Roman I, is hired by Brutus to investigate the death of Caesar. The police procedural combines Shakespeare, Dragnet, and vaudeville jokes and was first broadcast on the Ed Sullivan Show. [8]
s that a civil war similar to that of Rome's might break out after her death.

10 MATHEMATICIAN

1) Hypatia
philosopher, astronomer, and mathematician
Hypatia was the daughter of Theon of Alexandria who was a teacher of mathematics with the Museum of Alexandria in Egypt. A center of Greek intellectual and cultural life, the Museum included many independent schools and the great library of Alexandria.
Hypatia studied with her father, and with many others including Plutarch the Younger. She herself taught at the Neoplatonist school of philosophy. She became the salaried director of this school in 400. She probably wrote on mathematics, astronomy and philosophy, including about the motions of the planets, about number theory and about conic sections.
Hypatia corresponded with and hosted scholars from others cities. Synesius, Bishop of Ptolemais, was one of her correspondents and he visited her frequently. Hypatia was a popular lecturer, drawing students from many parts of the empire.
From the little historical information about Hypatia that survives, it appears that she invented the plane astrolabe, the graduated brass hydrometer and the hydroscope, with Synesius of Greece, who was her student and later colleague.
Hypatia dressed in the clothing of a scholar or teacher, rather than in women's clothing.

She moved about freely, driving her own chariot, contrary to the norm for women's public behavior. She exerted considerable political influence in the city.
Orestes, the governor of Alexandria, like Hypatia, was a pagan (non-Christian). Orestes was an adversary of the new Christian bishop, Cyril, a future saint. Orestes, according to the contemporary accounts, objected to Cyril expelling the Jews from the city, and was murdered by Christian monks for his opposition.
Cyril probably objected to Hypatia on a number of counts: She represented heretical teachings, including experimental science and pagan religion. She was an associate of Orestes. And she was a woman who didn't know her place. Cyril's preaching against Hypatia is said to have been what incited a mob led by fanatical Christian monks in 415 to attack Hypatia as she drove her chariot through Alexandria. They dragged her from her chariot and, according to accounts from that time, stripped her, killed her, stripped her flesh from her bones, scattered her body parts through the streets, and burned some remaining parts of her body in the library of Caesareum.
Hypatia's students fled to Athens, where the study of mathematics flourished after that. The Neoplatonic school she headed continued in Alexandria until the Arabs invaded in 642.
When the library of Alexandria was burned by the Arab conquerors, used as fuel for baths, the works of Hypatia were destroyed. We know her writings today through the works of others who quoted her -- even if unfavorably -- and a few letters written to her by contemporaries.
2) Elena Cornaro Piscopia


(June 5, 1646 - July 26, 1684)
mathematician, philosopher
(Elena Lucrezia Cornaro Piscopia)
first woman to earn a doctoral degree
The Cornaro family of Venice traced its heritage back to the Roman family of Cornelii. Ancestors included cardinals and popes. The castle Piscopia was given to the family by the husband of a (related) queen of Cyprus.
Elena Cornaro Piscopia was born in 1646 into this family. Her father was a public official who educated his children personally. A parish priest recognized Elena as a child prodigy when she was seven, and then she began to study with tutors in Latin, Greek, music, theology, and mathematics. She eventually learned Hebrew, Arabic, Chaldaic, and also French, English, and Spanish. She studied philosophy, and astronomy. Musically talented, by the time she was 17 years old she could sing, compose, and play such instruments as the violin, harp, and harpsichord.
Her achievements attracted the attention of many, including clerics, royals, and scientists. Many came to Venice to meet and speak with her.
Elena herself wanted to enter the Benedictine Order. She secretly practiced the disciplines of the Order and turned down marriage proposals, spending time serving the sick and the poor. But her father refused permission for her to enter the Order, and had her apply instead to the University of Padua.
Although some other women had studied science and math at the university level in Italy in her time, Elena Piscopia was the first to apply in theology. She studied there from 1672-1678, and in 1678, she received her master's and doctorate of philosophy degrees. The ceremony awarding her these degrees had to be held in the cathedral to accommodate the crowd that came to see her receive them.
Elena Piscopia became a lecturer in mathematics at the University, where she served until her early death in 1684.
She was honored after her death as a woman of learning. The University of Padua has a marble statue of her. Vassar College in New York has a stained glass window depicting her achievement.
Her achievement did not immediately open doors for many others, though. No other woman earned a doctorate at the University of Padua until the late twentieth century.
Maria Agnesi


(May 16, 1718 - January 9, 1799)
mathematician, philosopher, philanthropist
Maria Gaetana Agnesi, Maria Gaëtana Agnesi
• wrote first mathematics book by a woman that still survives
• first woman appointed as a mathematics professor at a university
Maria Agnesi's father was Pietro Agnesi, a wealthy nobleman and a professor of mathematics at the University of Bologna. It was normal in that time for the daughters of noble families to be taught in convents, and to receive instruction in religion, household management and dressmaking. A few Italian families educated daughters in more academic subjects; a few attended lectures at the university or even lectured there.
Pietro Agnesi recognized the talents and intelligence of his daughter Maria. Treated as a child prodigy, she was given tutors to learn five languages (Greek, Hebrew, Latin, French and Spanish) and also philosophy and science.
The father invited groups of his colleagues to gatherings at their home, and had Maria Agnesi present speeches to the assembled men. By age 13, Maria could debate in the language of the French and Spanish guests, or she could debate in Latin, the language of the educated. She didn't like this performing, but she could not persuade her father to let her out of the task until she was twenty years old.
In that year, 1738, Maria Agnesi assembled almost 200 of the speeches she had presented to her father's gatherings, and published them in Latin as Propositiones philosphicae -- in English, Philosophical Propositions. But the topics went beyond philosophy as we think of the topic today, and included scientific topics like celstial mechanics, Isaac Newton's gravitation theory, and elasticity.
Pietro Agnesi married twice more after Maria's mother died, so that Maria Agnesi ended up the eldest of 21 children. In addition to her performances and lessons, her responsibility was to teach her siblings. This task kept her from her own goal of entering a convent.
Also in 1783, wanting to do the best job of communicating up-to-date mathematics to her younger brothers, Maria Agnesi began to write a mathematics textbook, which absorbed her for ten years.
The Instituzioni Analitiche was published in 1748 in two volumes, over one thousand pages. The first volume covered arithmetic, algebra, trigonometry, analytic geometry and calculus. The second volume covered infinite series and differential equations. No one before had published a text on calculus that included the methods of calculus of both Isaac Newton and Gottfried Liebnitz.
Maria Agnesi brought together ideas from many contemporary mathematical thinkers -- made easier by her ability to read in many languages -- and integrated many of the ideas in a novel way that impressed the mathematicians and other scholars of her day.
As recognition of her achievement, in 1750 she was appointed to the chair of mathematics and natural philosophy at the University of Bologna by an act of Pope Benedict XIV. She was also recognized by the Hapsburg Empress Maria Theresa of Austria.
Did Maria Agnesi ever accept the Pope's appointment? Was it a real appointment or an honorary one? So far, the historical record does not answer those questions.
Maria Agnesi's name lives on in the name that English mathematician John Colson gave to a mathematical problem -- finding the equation for a certain bell-shaped curve. Colson confused the word in Italian for "curve" for a somewhat similar word for "witch," and so today this problem and equation still carries the name "witch of Agnesi."
Maria Agnesi's father was seriously ill by 1750 and died in 1752. His death released Maria from her responsibility to educate her siblings, and she used her wealth and her time to help those less fortunate. She established in 1759 a home for the poor. In 1771 she headed up a home for the poor and ill. By 1783 she was made director of a home for the elderly, where she lived among those she served. She had given away everything she owned by the time she died in 1799, and Maria Agnesi was buried in a pauper's grave.
Sophie Germain


(April 1, 1776 - June 27, 1831)
mathematician, number theorist, mathematical physicist
Marie-Sophie Germain, Sophia Germain, Sophie Germaine
• first woman not related to a member by marriage to attend Academie des Sciences meetings
• first woman invited to attend sessions at the Institut de France
Sophie Germain's father was Ambroise-Francois Germain, a wealthy middle class silk merchant and a French politician who served in the Estates Général and later in the Constituent Assembly. He later became a director of the Bank of France. Her mother was Marie-Madeleine Gruguelu, and her sisters, one older and one younger, were named Marie-Madeleine and Angelique-Ambroise. She was known simply as Sophie to avoid confusion with all the Maries in the household.
When Sophie Germain was 13, her parents kept her isolated from the turmoil of the French Revolution by keeping her in the house. She fought boredom by reading from her father's extensive library. She may also have had private tutors during this time.
A story told of those years is that Sophie Germain read the story of Archimedes of Syracuse who was reading geometry as he was killed -- and she decided to commit her life to a subject that could so absorb one's attention.
After discovering geometry, Sophie Germain taught herself mathematics, and also Latin and Greek so that she could read the classical mathematics texts. Her parents opposed her study and tried to stop it, so she studied at night. They took away candles and forbid nighttime fires, even taking her clothes away, all so that she could not read at night. Her response: she smuggled candles, she wrapped herself in her bedclothes. She still found ways to study. Finally the family gave in to her mathematical study.
In the eighteenth century in France, a woman was not normally accepted in universities. But the École Polytechnique, where exciting research on mathematics was happening, allowed Sophie Germain to borrow the lecture notes of the university's professors. She followed a common practice of sending comments to professors, sometimes including original notes on mathematics problems as well. But unlike male students, she used a pseudonym, "M. le Blanc" -- hiding behind a male pseudonym as many women have done to have their ideas taken seriously.
Beginning this way, Sophie Germain corresponded with many mathematicians and "M. le Blanc" began to have an impact in turn on them. Two of these mathematicians stand out: Joseph-Louis Lagrange, who soon discovered that "le Blanc" was a woman and continued the correspondence anyway, and Carl Friedrich Gauss of Germany, who eventually also discovered that he'd been exchanging ideas with a woman for three years.
Before 1808 Germain mainly worked in number theory. Then she became interested in Chladni figures, patterns produced by vibration. She anonymously entered a paper on the problem into a contest sponsored by the French Academy of Sciences in 1811, and it was the only such paper submitted. The judges found errors, extended the deadline, and she was finally awarded the prize on January 8, 1816. She did not attend the ceremony, though, for fear of the scandal that might result.
This work was foundational to the applied mathematics used in construction of skyscrapers today, and was important at the time to the new field of mathematical physics, especially to the study of acoustics and elasticity.
In her work on number theory, Sophie Germain made partial progress on a proof of Fermat's Last Theorem. For prime exponents less than 100, she showed there could be no solutions relatively prime to the exponent.
Accepted now into the community of scientists, Sophie Germain was allowed to attend sessions at the Institut de France, the first woman with this privilege. She continued her solo work and her correspondence until she died in 1831 of breast cancer.
Carl Friedrich Gauss had lobbied to have an honorary doctorate awarded to Sophie Germain by Göttingen University, but she died before it could be awarded.
A school in Paris -- L'École Sophie Germain -- and a street -- la rue Germain -- honor her memory in Paris today. Certain prime numbers are called "Sophie Germain primes."
Mary Somerville


(December 26, 1780 - November 29, 1872)
"Queen of Nineteenth Century Science"
mathematician, scientist, astronomer, geographer
• one of the first two women admitted to the Royal Astronomical Society
• Somerville College, Oxford University, is named for her
• dubbed "Queen of Nineteenth Century Science" by a newspaper on her death
Mary Fairfax, born in Jedburgh, Scotland, as the fifth of seven children of Vice-Admiral Sir William George Fairfax and Margaret Charters Fairfax, preferred the outdoors to reading. She did not have a good experience when sent to an elite boarding school, and was sent home in just a year.
At age 15 Mary noticed some algebraic formulas used as decoration in a fashion magazine, and on her own began to study algebra to make sense of them. She surreptitiously obtained a copy of Euclid's Elements of Geometry over her parents' opposition.
In 1804 Mary Fairfax married -- under pressure from family -- her cousin, Captain Samuel Greig. They had two sons. He too opposed Mary's studying mathematics and science, but after his death in 1807 -- followed by the death of one of their sons -- she returned to Scotland with her other son and began to study astronomy and mathematics seriously. She began solving math problems posed by a mathematics journal, and in 1811 won a medal for a solution she submitted.
She married Dr. William Somerville in 1812, another cousin. A surgeon, Dr. Somerville supported her study, writing and contact with scientists. They had three daughters and a son.
Four years after this marriage Mary Somerville and her family moved to London. They also traveled extensively in Europe. Mary Somerville began publishing papers on scientific subjects in 1826, using her own research, and after 1831, she began writing about the ideas and work of other scientists, too. One book prompted John Couch Adams to search for the planet Neptune, for which is he is credited as a co-discoverer.
Her translation and expansion of Pierre Laplace's Celestial Mechanics in 1831 won her acclaim and success. In 1833 she and Caroline Herschel were named honorary members of the Royal Astronomical Society, the first time women had won that recognition. Mary Somerville moved to Italy for her husband's health in 1838, and there she continued to work and to publish. Dr. Somerville died in 1860. In 1869, Mary Somerville published yet another major work, was awarded a gold medal from the Royal Geographical Society, and was elected to the American Philosophical Society.
Mary Somerville died in Naples in 1872, just before turning 92. She had been working on another mathematical article at the time. Her daughter published Personal Recollections of Mary Somerville the next year.
Significant writings:
• 1831 (first book) - The Mechanism of the Heavens - translating and explaining Pierre Laplace's celestial mechanics
• 1834 - On the Connection of the Physical Sciences - this book continued in new editions through 1877
• 1848 - Physical Geography - first book in England on Earth's physical surface
• 1869 - On Molecular and Microscopic Science - about physics and chemistry
Ada Lovelace

mathematician, computer pioneer
(December 10, 1815 - November 27, 1852)
Ada Augusta Byron was the only legitimate child of the Romantic poet, George Gordon, Lord Byron. Her mother was Anne Isabella Milbanke who took the baby at one month old away from her father's home. Ada Augusta Byron never saw her father again; he died when she was eight.
Ada Lovelace's mother, who had studied mathematics herself, decided that her daughter would be spared the father's eccentricities by studying more logical subjects like math and science, rather than literature or poetry. Young Ada Lovelace showed a genius for math from an early age. Her tutors included William Frend, William King and Mary Somerville. She also learned music, drawing and languages, and became fluent in French.
Ada Lovelace met Charles Babbage in 1833, and became interested in a model he had constructed of a mechanical device to compute values of quadratic functions, the Difference Engine. She also studied his ideas on another machine, the Analytical Engine, which would use punched cards to "read" instructions and data for solving mathematical problems.
Babbage also became Lovelace's mentor, and helped Ada Lovelace begin mathematical studies with Augustus de Moyan in 1840 at the University of London.
Babbage himself never wrote about his own inventions, but in 1842, an Italian engineer Manabrea (later Italy's prime minister) described Babbage's Analytical Engine in an article published in French.
Augusta Lovelace was asked to translate this article into English for a British scientific journal. She added many notes of her own to the translation, since she was familiar with Babbage's work. Her additions showed how Babbage's Analytical Engine would work, and gave a set of instructions for using the Engine for calculating Bernoulli numbers. She published the translation and notes under the initials "A.A.L," concealing her identity as did many women who published before women were more accepted as intellectual equals.
Augusta Ada Byron married a William King (though not the same William King who had been her tutor) in 1835. In 1838 her husband became the first Earl of Lovelace, and Ada became countess of Lovelace. They had three children.
Ada Lovelace unknowingly developed an addiction to prescribed drugs including laudanum, opium and morphine, and displayed classic mood swings and withdrawal symptoms. She took up gambling and lost most of her fortune. She was suspected of an affair with a gambling comrade.
In 1852, Ada Lovelace died of uterine cancer. She was buried next to her famous father.
More than a hundred years after her death, in 1953, Ada Lovelace's notes on Babbage's Analytical Engine were republished after having been forgotten. The engine was now recognized as a model for a computer, and Ada Lovelace's notes as a description of a computer and software.
In 1980, the U.S. Department of Defense settled on the name "Ada" for a new standardized computer language, named in honor of Ada Lovelace.
Charlotte Angas Scott
(June 8, 1858 - November 10, 1931)
• first head of the mathematics department at Bryn Mawr College
• initiator of the College Entrance Examination Board
• one of the organizers of the American Mathematical Society
Charlotte Angas Scott was born in England. Her father, Caleb Scott, was president of Lancashire College, a Congregational minister and known as a social reformer; his father had been a reformer as well. Caleb Scott urged his daughter, Charlotte Angas Scott, to seek a university education, unusual for women in that time. She did so: she joined ten other young women at Hitchin College, soon renamed Girton College, part of Cambridge University.
As a pioneer in women's higher education, Charlotte Angas Scott and her classmates faced severe restrictions and on their participation and activities.
Not officially permitted to take the traditional oral exam at the end of Cambridge's program, Charlotte Scott took it unofficially -- and placed eighth in the ranking overall, including all male students. At the awards ceremony, the women's names were not included in the rankings read. But male students shouted "Scott of Girton!" over the name of the male student who was announced in the eighth place.
Charlotte Angas Scott went on, then, to graduate studies at the University of London while serving as a lecturer at Girton. In 1885, she moved to the United States to join the first faculty of the newly-founded Bryn Mawr College in Pennsylvania, the first women's college offering graduate degrees.
At Bryn Mawr, Charlotte Angas Scott promoted strict entrance policies and her efforts eventually led to the founding of the College Entrance Examination Board. Scott was the first chief examiner of the Board.
In 1909, Charlotte Scott was given the first endowed chair at Bryn Mawr, in recognition of her achievements.
Charlotte Angas Scott was a member of the council that transformed the New York Mathematical Society into the American Mathematical Society in 1895, and she served as the society's vice president in 1905. She was coeditor of the American Journal of Mathematics in 1899, and continued editing for that journal until her retirement. When arthritis forced a hiatus from publishing, Charlotte Scott took up gardening and bred a new chrysanthemum.
Charlotte Angas Scott never married, though she often visited with her relatives in England (where she was known as "Aunt Charlie"), and she also frequently visited her friend Frank Morley in Baltimore.
Charlotte Scott retired in 1925, though she remained at Bryn Mawr for a few more years until her last doctoral student had graduated. She died in England in 1931.
Works
• 1894: An Introductory Account of Certain Modern Ideas and Methods in Plane Analytical Geometry. First edition, 1894. Second edition, 1924. Third edition published in 1961 as Projective Methods in Plane Geometry.
• 1899: "A Proof of Noether's Fundamental Theorem"
• 1907: Cartesian Plane Geometry, Part I: Analytical Conics
Sofia Kovalevskaya


(January 15, 1850 - February 10, 1891)
also: Sonya Kovalevskaya, Sofya Kovalevskaya, Sophia Kovalevskaia, Sonia Kovelevskaya, Sonya Korvin-Krukovsky, etc.
novelist, mathematician
• first woman to hold a university chair in modern Europe
• first woman on the editorial staff of a mathematical journal
Sofia Kovalevskaya's father was in the Russian Army and her mother was from a German family with many scholars; her maternal grandfather and great-grandfather were both mathematicians. She was born in Moscow, Russia, in 1850.
As a young child Sofia Kovalevskaya was fascinated with the unusual wallpaper on the wall of a room on the family estate: the lecture notes of Mikhail Ostrogradsky on differential and integral calculus.
Although her father provided her with private tutoring -- including calculus at age 15 -- he would not allow her to study abroad for further education, and Russian universities would not then admit women. But Sofia Kovalevskaya wanted to continue her studies in mathematics, so she found a solution: an amenable young student of paleontology, Vladimir Kovalensky, who entered into a marriage of convenience with her. In 1869, they left Russia with her sister, Anyuta. Sonja went to Heidelberg, Germany, Kovalensky went to Vienna, Austria, and Anyuta went to Paris, France.
In Heidelberg, Sofia Kovalevskaya obtained permission of the mathematics professors to allow her to study at the University of Heidelberg. After two years she went to Berlin to study with Karl Weierstrass. She had to study privately with him, as the university in Berlin would not allow any women to attend class sessions.
With Weierstrass' support Sofia Kovalevskaya pursued a degree in mathematics, and her work earned her a doctorate sum cumma laude from the University of Göttingen in 1874. Her doctoral dissertation on partial differential equations is today called the Cauch-Kovelevskaya Theorem. It so impressed the faculty that they awarded Kovalevskaya the doctorate without examination and without her having attended any classes at the university.
Sofia Kovalevskaya and her husband returned to Russia after she earned her doctorate. They were unable to find the academic positions they desired. They pursued commercial ventures and produced a daughter as well. Sofia Kovalevskaya began writing fiction, including a novella Vera Barantzova which won sufficient acclaim to be translated into several languages.
Kovalensky, immersed in a financial scandal for which he was about to be prosecuted, committed suicide in 1883, but Sofia Kovalevskaya had already returned to Berlin and mathematics, taking their daughter with her. She became a privatdozent at Stockholm University, paid by her students rather than the university.
In 1888 Sofia Kovalevskaya won the Prix Bordin from the French Academie Royale des Sciences for research now called the Kovelevskaya top. This research examined how Saturn's rings rotated.
She also won a prize from the Swedish Academy of Sciences in 1889, and that same year was appointed to a chair at the university - the first woman appointed to a chair at a modern European university. She was also elected to the Russian Academy of Sciences as a member that same year.
She only published ten papers before her death from influenza in 1891, after a trip to Paris to see Maxim Kovalensky, a relative of her late husband with whom she was having a love affair.
Alicia Stott


(June 8, 1860 - December 17, 1940)
mathematician
Alicia Boole Stott's father was the mathematician George Boole (for whom Boolean logic is named). He was teaching in Ireland when Alicia was born there, in 1860, and he died four years later. Alicia lived with her grandmother in England and her great-uncle in Cork for the next ten years before she rejoined her mother and sisters in London.
In her teens, Alicia Stott became interested in four-dimensional hypercubes, or tesseracts. She became secretary to John Falk, an associate of her brother-in-law, Howard Hinton, who had introduced her to tesseracts. Alicia Stott continued building models of wood to represent four-dimensional convex solids, which she named polytopes, and published an article on three-dimenstional sections of hypersolids in 1900.
She married Walter Stott, an actuary. They had two children, and Alicia Stott settled into the role of homemaker until her husband noted that her mathematical interests might also be of interest to the mathematician Pieter Hendrik Schoute at the University of Groningen. After the Stotts wrote to Schoute, and Schoute saw photographs of some models that Alicia Stott had built, Schoute moved to England to work with her.
Alicia Stott worked on deriving Archimedean solids from Platonic solids. With Schoute's encouragement, she published papers on her own and that the two of them developed together.
In 1914, Schoute's colleagues at Groningen invited Alicia Stott to a celebration, planning to award to her an honorary degree. But when Schoute died before the ceremony could be held, Alicia Stott returned to the her middle class life at home.
In 1930, Alicia Stott began collaborating with H. S. M. Coxeter on the geometry of kaleidoscopes. She also constructed cardboard models of the "snub 24-cell."
She died in 1940.
Emmy Noether


(March 23, 1882 - April 14, 1935)
mathematician
Amalie Noether, Emily Noether, Amelie Noether
Born in Germany and named Amalie Emmy Noether, she was known as Emmy. Her father was a mathematics professor at the University of Erlangen and her mother was from a wealthy family.
Emmy Noether studied arithmetic and languages but was not permitted -- as a girl -- to enroll in the college preparatory school, the gymnasium. Her graduation qualified her to teach French and English in girls' schools, apparently her career intention -- but then she changed her mind and decided she wanted to study mathematics at the university level.
To enroll in a university, she had to get permission of the professors to take an entrance exam -- she did and she passed, after sitting in on mathematics lectures at the University of Erlangen. She was then allowed to audit courses -- first at the University of Erlangen and then the University of Göttingen, neither of which would permit a woman to attend classes for credit. Finally, in 1904, the University of Erlangen decided to permit women to enroll as regular students, and Emmy Noether returned there. Her dissertation in algebraic math earned her a doctorate summa cum laude in 1908.
For seven years, Noether worked at the University of Erlangen without any salary, sometimes acting as a substitute lecturer for her father when he was ill. In 1908 she was invited to join the Circolo Matematico di Palermo and in 1909 to join the German Mathematical Society -- but she still could not obtain a paying position at a University in Germany.
In 1915, Emmy Noether's mentors, Felix Klein and David Hilbert, invited her to join them at the Mathematical Institute in Göttingen, again without compensation. There, she pursued important mathematical work that confirmed key parts of the general theory of relativity.
Hilbert continued to work to get Noether accepted as a faculty member at Göttingen, but he was unsuccessful against the cultural and official biases against women scholars. He was able to allow her to lecture -- in his own courses, and without salary. In 1919 she won the right to be a privatdozent -- she could teach students, and they would pay her directly, but the university did not pay her anything. In 1922, the University gave her a position as an adjunct professor with a small salary and no tenure or benefits.
Emmy Noether was a popular teacher with the students. She was seen as warm and enthusiastic. Her lectures were participatory, demanding that students help work out the mathematics being studied.
Emmy Noether's work in the 1920s on ring theory and ideals was foundational in abstract algebra. Her work earned her enough recognition that she was invited as a visiting professor in 1928-1929 at the University of Moscow and in 1930 at the University of Frankfurt.
Though she was never able to gain a regular faculty position at Göttingen, she was one of many Jewish faculty members who were purged by the Nazis in 1933. In America, the Emergency Committee to Aid Displaced German Scholars obtained for Emmy Noether an offer of a professorship at Bryn Mawr College in America, and they paid, with the Rockefeller Foundation, her first year's salary. The grant was renewed for two more years in 1934. This was the first time that Emmy Noether was paid a full professor's salary and accepted as a full faculty member.
But her success was not to last long. In 1935, she developed complications from an operation to remove a uterine tumor, and she died shortly after, on April 14.
After World War II ended, the University of Erlangen honored her memory, and in that city a coed gymnasium specializing in math was named for her. Her ashes are buried near Bryn Mawr's Library.
A quote by Emmy Noether:
If one proves the equality of two numbers a and b by showing first that "a is less than or equal to b" and then "a is greater than or equal to b", it is unfair, one should instead show that they are really equal by disclosing the inner ground for their equality.
About Emmy Noether, by Lee Smolin:
The connection between symmetries and conservation laws is one of the great discoveries of twentieth century physics . But I think very few non-experts will have heard either of it or its maker — Emily Noether, a great German mathematician. But it is as essential to twentieth century physics as famous ideas like the impossibility of exceeding the speed of light.
It is not difficult to teach Noether's theorem, as it is called; there is a beautiful and intuitive idea behind it. I've explained it every time I've taught introductory physics. But no textbook at this level mentions it. And without it one does not really understand why the world is such that riding a bicycle is safe.

Wednesday, May 30, 2007

GLOBAL WARMING





Global warming is the increase in the average temperature of the Earth's near-surface air and oceans in recent decades and its projected continuation.
Global average air temperature near the Earth's surface rose 0.74 ± 0.18 °C (1.3 ± 0.32 °F) during the past century. The Intergovernmental Panel on Climate Change (IPCC) concludes, "most of the observed increase in globally averaged temperatures since the mid-20th century is very likely due to the observed increase in anthropogenic greenhouse gas concentrations,"[1] which leads to warming of the surface and lower atmosphere by increasing the greenhouse effect. Natural phenomena such as solar variation combined with volcanoes have probably had a small warming effect from pre-industrial times to 1950, but a small cooling effect since 1950.[2][3] These basic conclusions have been endorsed by at least 30 scientific societies and academies of science, including all of the national academies of science of the major industrialized countries. The American Association of Petroleum Geologists is the only scientific society that rejects these conclusions,[4][5] and a few individual scientists also disagree with parts of them. [6]
Climate models referenced by the IPCC project that global surface temperatures are likely to increase by 1.1 to 6.4 °C (2.0 to 11.5 °F) between 1990 and 2100.[1] The range of values reflects the use of differing scenarios of future greenhouse gas emissions and results of models with differences in climate sensitivity. Although most studies focus on the period up to 2100, warming and sea level rise are expected to continue for more than a millennium even if greenhouse gas levels are stabilized. [1] This reflects the large heat capacity of the oceans.
An increase in global temperatures can in turn cause other changes, including sea level rise, and changes in the amount and pattern of precipitation. There may also be changes in the frequency and intensity of extreme weather events, though it is difficult to connect specific events to global warming. Other effects may include changes in agricultural yields, glacier retreat, reduced summer streamflows, species extinctions and increases in the ranges of disease vectors.
Remaining scientific uncertainties include the exact degree of climate change expected in the future, and how changes will vary from region to region around the globe. There is ongoing political and public debate regarding what, if any, action should be taken to reduce or reverse future warming or to adapt to its expected consequences. Most national governments have signed and ratified the Kyoto Protocol aimed at combating greenhouse gas emissions.

Causes
The climate system varies through natural, internal processes and in response to variations in external forcing factors including solar activity, volcanic emissions, variations in the earth's orbit (orbital forcing) and greenhouse gases. The detailed causes of the recent warming remain an active field of research, but the scientific consensus [9] identifies increased levels of greenhouse gases due to human activity as the main influence. This attribution is clearest for the most recent 50 years, for which the most detailed data are available. Contrasting with the scientific consensus, other hypotheses have been proposed to explain most of the observed increase in global temperatures. Among these hypotheses are that the warming is caused by natural fluctuations in the climate or that warming is mainly a result of variations in solar radiation. [10]
None of the effects of forcing are instantaneous. Due to the thermal inertia of the Earth's oceans and slow responses of other indirect effects, the Earth's current climate is not in equilibrium with the forcing imposed. Climate commitment studies indicate that even if greenhouse gases were stabilized at present day levels, a further warming of about 0.5 °C (0.9 °F) would still occur. [11]
Greenhouse gases in the atmosphere
The greenhouse effect was discovered by Joseph Fourier in 1824 and was first investigated quantitatively by Svante Arrhenius in 1896. It is the process by which absorption and emission of infrared radiation by atmospheric gases warms a planet's atmosphere and surface.
Greenhouse gases create a natural greenhouse effect, without which mean temperatures on Earth would be an estimated 30 °C (54 °F) lower so that Earth would be uninhabitable.[12] Thus scientists do not "believe in" or "oppose" the greenhouse effect as such; rather, the debate concerns the net effect of the addition of greenhouse gases, while allowing for associated positive and negative feedback mechanisms.
On Earth, the major natural greenhouse gases are water vapor, which causes about 36–70% of the greenhouse effect (not including clouds); carbon dioxide (CO2), which causes 9–26%; methane (CH4), which causes 4–9%; and ozone, which causes 3–7%. The atmospheric concentrations of CO2 and CH4 have increased by 31% and 149% respectively above pre-industrial levels since 1750. These levels are considerably higher than at any time during the last 650,000 years, the period for which reliable data has been extracted from ice cores. From less direct geological evidence it is believed that CO2 values this high were last attained 20 million years ago.[13] "About three-quarters of the anthropogenic [man-made] emissions of CO2 to the atmosphere during the past 20 years are due to fossil fuel burning. The rest of the anthropogenic emissions are predominantly due to land-use change, especially deforestation."[14]
The present atmospheric concentration of CO2 is about 383 parts per million (ppm) by volume.[15] Future CO2 levels are expected to rise due to ongoing burning of fossil fuels and land-use change. The rate of rise will depend on uncertain economic, sociological, technological, natural developments, but may be ultimately limited by the availability of fossil fuels. The IPCC Special Report on Emissions Scenarios gives a wide range of future CO2 scenarios, ranging from 541 to 970 ppm by the year 2100.[16] Fossil fuel reserves are sufficient to reach this level and continue emissions past 2100, if coal, tar sands or methane clathrates are extensively used.[17]
Positive feedback effects such as the expected release of CH4 from the melting of permafrost peat bogs in Siberia (possibly up to 70,000 million tonnes) may lead to significant additional sources of greenhouse gas emissions[18] not included in climate models cited by the IPCC.[1]
Feedbacks
The effects of forcing agents on the climate are complicated by various feedback processes.
One of the most pronounced feedback effects relates to the evaporation of water. CO2 injected into the atmosphere causes a warming of the atmosphere and the earth's surface. The warming causes more water to be evaporated into the atmosphere. Since water vapor itself acts as a greenhouse gas, this causes still more warming; the warming causes more water vapor to be evaporated, and so forth until a new dynamic equilibrium concentration of water vapor is reached at a slight increase in humidity and with a much larger greenhouse effect than that due to CO2 alone.[19] This feedback effect can only be reversed slowly as CO2 has a long average atmospheric lifetime.
Feedback effects due to clouds are an area of ongoing research and debate. Seen from below, clouds emit infrared radiation back to the surface, and so exert a warming effect. Seen from above, the same clouds reflect sunlight and emit infrared radiation to space, and so exert a cooling effect. Increased global water vapor concentration may or may not cause an increase in global average cloud cover. The net effect of clouds thus has not been well modeled, however, cloud feedback is second only to water vapor feedback and is positive in all the models that contributed to the IPCC Fourth Assessment Report.[19]
Another important feedback process is ice-albedo feedback.[20] The increased CO2 in the atmosphere warms the Earth's surface and leads to melting of ice near the poles. As the ice melts, land or open water takes its place. Both land and open water are on average less reflective than ice, and thus absorb more solar radiation. This causes more warming, which in turn causes more melting, and this cycle continues.
Positive feedback due to release of CO2 and CH4 from thawing permafrost is an additional mechanism contributing to warming. Possible positive feedback due to CH4 release from melting seabed ices is a further mechanism to be considered
Solar variation
Variations in solar output, possibly amplified by cloud feedbacks, may have contributed to recent warming.[21] A difference between this mechanism and greenhouse warming is that an increase in solar activity should produce a warming of the stratosphere while greenhouse warming should produce a cooling of the stratosphere. Reduction of stratospheric ozone also has a cooling influence but substantial ozone depletion did not occur until the late 1970's. Cooling in the lower stratosphere has been observed since at least 1960.[22]
Other phenomena such as solar variation combined with volcanoes have probably had a warming effect from pre-industrial times to 1950, but a cooling effect since 1950.[1] However, some research has suggested that the Sun's contribution may have been underestimated. Two researchers at Duke University have estimated that the Sun may have contributed about 40–50% of the global surface temperature warming over the period 1900–2000, and about 25–35% between 1980 and 2000.[23] Stott and coauthors suggest that climate models overestimate the relative effect of greenhouse gases compared to solar forcing; they also suggest that the cooling effects of volcanic dust and sulfate aerosols have been underestimated.[24] They conclude that even with an enhanced climate sensitivity to solar forcing, most of the warming during the latest decades is attributable to the increases in greenhouse gases.
History
From the present to the dawn of human settlement
Global temperatures on both land and sea have increased by 0.75 °C (1.4 °F) relative to the period 1860–1900, according to the instrumental temperature record. This measured temperature increase is not significantly affected by the urban heat island. Since 1979, land temperatures have increased about twice as fast as ocean temperatures (0.25 °C per decade against 0.13 °C per decade).[25] Temperatures in the lower troposphere have increased between 0.12 and 0.22 °C (0.22 and 0.4 °F) per decade since 1979, according to satellite temperature measurements. Temperature is believed to have been relatively stable over the one or two thousand years before 1850, with possibly regional fluctuations such as the Medieval Warm Period or the Little Ice Age.
Based on estimates by NASA's Goddard Institute for Space Studies, 2005 was the warmest year since reliable, widespread instrumental measurements became available in the late 1800s, exceeding the previous record set in 1998 by a few hundredths of a degree.[26] Estimates prepared by the World Meteorological Organization and the Climatic Research Unit concluded that 2005 was the second warmest year, behind 1998.[27][28]
Anthropogenic emissions of other pollutants—notably sulfate aerosols—can exert a cooling effect by increasing the reflection of incoming sunlight. This partially accounts for the cooling seen in the temperature record in the middle of the twentieth century,[29] though the cooling may also be due in part to natural variability.
Paleoclimatologist William Ruddiman has argued that human influence on the global climate began around 8,000 years ago with the start of forest clearing to provide land for agriculture and 5,000 years ago with the start of Asian rice irrigation.[30] Ruddiman's interpretation of the historical record, with respect to the methane data, has been disputed.[31]
Pre-human climate variations
Earth has experienced warming and cooling many times in the past. The recent Antarctic EPICA ice core spans 800,000 years, including eight glacial cycles timed by orbital variations with interglacial warm periods comparable to present temperatures.[32]
A rapid buildup of greenhouse gases caused warming in the early Jurassic period (about 180 million years ago), with average temperatures rising by 5 °C (9.0 °F). Research by the Open University indicates that the warming caused the rate of rock weathering to increase by 400%. As such weathering locks away carbon in calcite and dolomite, CO2 levels dropped back to normal over roughly the next 150,000 years.[33][34]
Sudden releases of methane from clathrate compounds (the clathrate gun hypothesis) have been hypothesized as a cause for other warming events in the distant past, including the Permian-Triassic extinction event (about 251 million years ago) and the Paleocene-Eocene Thermal Maximum (about 55 million years ago).
Climate models
Scientists have studied global warming with computer models of the climate. These models are based on physical principles of fluid dynamics, radiative transfer, and other processes, with some simplifications being necessary because of limitations in computer power. These models predict that the net effect of adding greenhouse gases is to produce a warmer climate. However, even when the same assumptions of fossil fuel consumption and CO2 emission are used, the amount of projected warming varies between models and there still remains a considerable range of climate sensitivity.
Including uncertainties in the models[citation needed]and in future greenhouse gas concentrations, the IPCC anticipates a warming of 1.1 °C to 6.4 °C (2.0 °F to 11.5 °F) between 1990 and 2100. Models have also been used to help investigate the causes of recent climate change by comparing the observed changes to those that the models project from various natural and human derived causes.
Climate models can produce a good match to observations of global temperature changes over the last century, but "cannot yet simulate all aspects of climate."[35] These models do not unambiguously attribute the warming that occurred from approximately 1910 to 1945 to either natural variation or human effects; however, they suggest that the warming since 1975 is dominated by man-made greenhouse gas emissions.
Most global climate models, when run to project future climate, are forced by imposed greenhouse gas scenarios, generally one from the IPCC Special Report on Emissions Scenarios (SRES). Less commonly, models may be run by adding a simulation of the carbon cycle; this generally shows a positive feedback, though this response is uncertain (under the A2 SRES scenario, responses vary between an extra 20 and 200 ppm of CO2). Some observational studies also show a positive feedback.[36][37][38]
The representation of clouds is one of the main sources of uncertainty in present-generation models, though progress is being made on this problem.[39] There is also an ongoing discussion as to whether climate models are neglecting important indirect and feedback effects of solar variability.
Attributed and expected effects
Some effects on both the natural environment and human life are, at least in part, already being attributed to global warming. A 2001 report by the IPCC suggests that glacier retreat, ice shelf disruption such as the Larsen Ice Shelf, sea level rise, changes in rainfall patterns, increased intensity and frequency of extreme weather events, are being attributed in part to global warming.[40] While changes are expected for overall patterns, intensity, and frequencies, it is difficult to attribute specific events to global warming. Other expected effects include water scarcity in some regions and increased precipitation in others, changes in mountain snowpack, adverse health effects from warmer temperatures.
Increasing deaths, displacements, and economic losses projected due to extreme weather attributed to global warming may be exacerbated by growing population densities in affected areas, although temperate regions are projected to experience some minor benefits, such as fewer deaths due to cold exposure.[41] A summary of probable effects and recent understanding can be found in the report made for the IPCC Third Assessment Report by Working Group II.[40] The newer IPCC Fourth Assessment Report summary reports that there is observational evidence for an increase in intense tropical cyclone activity in the North Atlantic Ocean since about 1970, in correlation with the increase in sea surface temperature, but that the detection of long-term trends is complicated by the quality of records prior to routine satellite observations. The summary also states that there is no clear trend in the annual worldwide number of tropical cyclones.[1]
Additional anticipated effects include sea level rise of 110 to 770 millimeters (0.36 to 2.5 ft) between 1990 and 2100,[42] repercussions to agriculture, possible slowing of the thermohaline circulation, reductions in the ozone layer, increased intensity and frequency of hurricanes and extreme weather events, lowering of ocean pH, and the spread of diseases such as malaria and dengue fever. One study predicts 18% to 35% of a sample of 1,103 animal and plant species would be extinct by 2050, based on future climate projections.[43] Mechanistic studies have documented extinctions due to recent climate change: McLaughlin et al. documented two populations of Bay checkerspot butterfly being threatened by precipitation change.[44] Parmesan states, "Few studies have been conducted at a scale that encompasses an entire species"[45] and McLaughlin et al. agreed "few mechanistic studies have linked extinctions to recent climate change."[44]
Some economists have tried to estimate the aggregate net economic costs of damages from climate change across the globe. Such estimates have so far failed to reach conclusive findings; in a survey of 100 estimates, the values ran from US$-10 per tonne of carbon (tC) (US$-3 per tonne of carbon dioxide) up to US$350/tC (US$95 per tonne of carbon dioxide), with a mean of US$43 per tonne of carbon (US$12 per tonne of carbon dioxide).[41] One widely-publicized report on potential economic impact is the Stern Review; it suggests that extreme weather might reduce global gross domestic product by up to 1%, and that in a worst case scenario global per capita consumption could fall 20%.[46] The report's methodology, advocacy and conclusions has been criticized by many economists, primarily around the Review's assumptions of discounting and its choices of scenarios[citation needed], while others have supported the general attempt to quantify economic risk, even if not the specific numbers[citation needed].
In a summary of economic cost associated with climate change, the United Nations Environment Programme emphasizes the risks to insurers, reinsurers, and banks of increasingly traumatic and costly weather events. Other economic sectors likely to face difficulties related to climate change include agriculture and transport. Developing countries, rather than the developed world, are at greatest economic risk.[47]
Security
A number of groups have begun calling attention to the security implications of global warming, with particular attention being paid to this issue in 2007. On April 15, 2007, the Military Advisory Board, a panel of retired U.S. generals and admirals released a report entitled "National Security and the Threat of Climate Change." The report predicts that global warming will have significant security implications, in particular serving as a "threat multiplier" in already volatile regions.[48] Just two days later, on April 17, the U.N. Security Council held a debate on the security implications of climate change, during which Britain's Foreign Secretary Margaret Beckett argued that “An unstable climate will exacerbate some of the core drivers of conflict, such as migratory pressures and competition for resources.”[49] And several weeks earlier, U.S. Senators Chuck Hagel (R-NB) and Richard Durbin (D-IL) introduced a bill in the U.S. Congress that would require federal intelligence agencies to collaborate on a National Intelligence Estimate to evaluate the security challenges presented by climate change.[50]
Mitigation and adaptation
The broad agreement among climate scientists that global temperatures will continue to increase has led nations, states, corporations and individuals to implement actions to try to curtail global warming or adjust to it. Many environmental groups encourage action against global warming, often by the consumer, but also by community and regional organizations. There has been business action on climate change, including efforts at increased energy efficiency and (still limited) moves to alternative fuels. One important innovation has been the development of greenhouse gas emissions trading through which companies, in conjunction with government, agree to cap their emissions or to purchase credits from those below their allowances.
The world's primary international agreement on combating global warming is the Kyoto Protocol, an amendment to the United Nations Framework Convention on Climate Change (UNFCCC), negotiated in 1997. The Protocol now covers more than 160 countries globally and over 55% of global greenhouse gas emissions.[51] The United States, the world's largest greenhouse gas emitter; Australia; and Kazakhstan have refused to ratify the treaty. China and India, two other large emitters, have ratified the treaty but, as developing countries, are exempt from its provisions. This treaty expires in 2012, and international talks began in May 2007 on a future treaty to succeed the current one. [52]
Issue debate and political processes
Increased awareness of the scientific findings surrounding global warming has resulted in political and economic debate. Poor regions, particularly Africa, appear at greatest risk from the suggested effects of global warming, while their actual emissions have been negligible compared to the developed world, reports The New York Times.[53] At the same time, developing country exemptions from provisions of the Kyoto Protocol have been criticized by the United States and been used as part of its justification for continued non-ratification.[54] In the Western world, the idea of human influence on climate and efforts to combat it has gained wider acceptance in Europe than in the United States.[55][56]
Fossil fuel companies such as ExxonMobil have spent large sums of money for public relations to downplay the risks of climate change,[57][58] while environmental groups have launched campaigns emphasizing its impacts.
This issue has sparked debate in the U.S. about the benefits of limiting industrial emissions of greenhouse gases to reduce impacts to the climate, versus the effects on economic activity.[59][60] There has also been discussion in several countries about the cost of adopting alternate, cleaner energy sources in order to reduce emissions.[61]
Another point of debate is the degree to which newly-developed economies, like India and China, have a right to increase their industrial emissions, especially since China is expected to exceed the United States in total greenhouse gas emissions by 2010,[62] though the U.S. has less than one-fourth of China's population.[63]
Related climatic issues
A variety of issues are often raised in relation to global warming. One is ocean acidification, the ongoing decrease in the pH of the Earth's oceans. Increased atmospheric CO2 increases the amount of CO2 dissolved in the oceans.[64] CO2 dissolved in the ocean reacts with water to form carbonic acid resulting in acidification. Ocean surface pH is estimated to have decreased from approximately 8.25 to 8.14 since the beginning of the industrial era,[65] and it is estimated that it will drop by a further 0.14 to 0.5 units by 2100 as the ocean absorbs more CO2.[1][66] Since organisms and ecosystems are adapted to a narrow range of pH, this raises extinction concerns, directly driven by increased atmospheric CO2, that could disrupt food webs and impact human societies that depend on marine ecosystem services.[67]
Another related issue that may have partially mitigated global warming in the late twentieth century is global dimming, the gradual reduction in the amount of global direct irradiance at the Earth's surface. From 1960 to 1990 human-caused aerosols likely precipitated this effect. Scientists have stated with 66–90% confidence that the effects of human-caused aerosols, along with volcanic activity, have offset some of global warming, and that greenhouse gases would have resulted in more warming than observed if not for these dimming agents.[1]
Ozone depletion, the steady decline in the total amount of ozone in Earth's stratosphere, is frequently cited in relation to global warming. Although there are areas of linkage, the relationship between the two is not strong.
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